“Her sound is big and luscious enough to ride the orchestral crests comfortably, yet supple enough to make the singing paragraphs soar. Her bow work combines dazzling dexterity with an idiomatic feel for Prokofiev’s quirky Slavic rhythms. Not only did she pour out endless floods of ardent lyricism in the slow movement, but she also dispatched the finale’s whirling bravura with irresistible panache.”